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Press Release

9th Annual Art History Graduate Student Symposium
Organized by the Rutgers University Art History Graduate Student Organization (AHGSO)

Friday April 19, 2019

Rutgers, The State University of New Jersey
Alexander Library, Pane Room
New Brunswick, NJ 08901
Keynote Speaker: Dr. Adrienne Childs, Independent scholar, art historian, and curator

“Otherness is a fundamental category of human thought. the One without at once setting up the Other over against itself.” – Simone de Beauvoir, The Second  Thus it is that no group ever sets itself up as Sex, 1949


What is alterity and how do we represent it? How do we, as human beings, craft personal and communal identities, and achieve a sense of social belonging? To what extent do we rely on inherited biases about class, gender, sexuality, race, and ethnicity when fashioning our self-image? As the French philosopher Simone de Beauvoir observed in her well-known feminist manifesto, the concept of Otherness occupies a central place in human consciousness. Social identities are inherently relational, and people often define themselves in terms of what they are not. This comparative impulse

manifests itself in complex ways in the history of art and architecture. Given the global upswing in nationalist sentiment and nativist movements built on hardened definitions of Otherness, we feel that such dialogue is more important than ever.


The Rutgers University Art History Graduate Student Organization seeks proposals that address any of

the above-mentioned questions. Abstracts are welcome from all historical periods, geographical areas,

and cultural, theoretical, and methodological perspectives. Submissions within the fields of art and

architectural history, archaeology, history, visual and material culture, media studies, and gender

studies will be considered for 20-minute presentations in English. After the symposium, one paper will

be selected for possible publication in Volume 36 of the Rutgers Art Review, a peer-reviewed, open-

access journal produced by graduate students in the Department of Art History.

Possible topics include, but are not limited to:


  • Cross-cultural encounters (the Grand Tour, appointments to foreign courts, prints accompanying written travel accounts)

  • Orientalism and the taste for the exotic

  • Physiognomy, phrenology, and other pseudo-sciences

  • The architecture of segregation and apartheid

  • Colonialism, imperialism, and unequal power dynamics

  • Representations of slavery and servitude

  • Stereotypes, caricatures, and satires

  • Minstrelsy, masquerade, and racially charged forms of entertainment

  • The impact of trade and globalization on notions of Otherness

  • Intercultural identities in contemporary society

    Please send your abstract and a current CV to by December 15, 2018. Abstracts should be no more than 300 words. Applicants will be notified of the committee’s decision by January 15, 2019.

Images from Exhibit





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