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James Smethurst. Africology: The Journal of Pan African Studies 11(6), April 2018, pp. 247-254.
"For most of Baraka’s career as expressed through many genres and media of art in which he work, the arc of black life and art in Newark traced the arc of black modernity and the black revolutionary tradition."
The National Conference on Black Power was held in Newark in July of 1967. Background, a video clip, and some archival documents from RiseUp North.
Amiri Baraka and the Congress of African People: History and Memory
Michael Simanga. New York, Palgrave Macmillan, 2015.
"The Congress of African People (CAP) was an important Black Power organization formed in 1970 and led by the activist poet Amiri Baraka. It made significant contributions to the Black Liberation Movement throughout the 70s as a leading organization in the National Black Political Convention, the National Black Assembly, African Liberation Day, the African Liberation Support Committee and the Black Women's United Front." Available?
Komozi Woodard. Ph.D. Thesis, University of Pennsylvania, 1991. Available?
A Nation Within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics.
Komozi Woodard. Chapel Hill, University of North Carolina Press, 1999.
Examines the black power movement of the 1960s and 1970s as exemplified by the Modern Black Convention Movement led by Amiri Baraka. In Newark, this movement led to the development of a number of organizations, including the Committee for a Unified NewArk (CFUN), which later became the Newark chapter of the Congress of African People (CAP). Documents the black and Puerto Rican alliance that led to the election of Newark's first black mayor, Kenneth Gibson, in 1970. Available?
"It's Nation Time in NewArk: Amiri Baraka and the Black Power Experiments in Newark, New Jersey,"
"CFUN's [Committee for a Unified NewArk] work in Newark proved that a local organization could unleash creative ideas and energies at the grassroots level and use self-determination to redefine urban space..." Available?
"'The Laboratory of Democracy': Construction Industry Racism in Newark and the Limits of Liberalism,"
IN Black Power at Work: Community Control, Affirmative Action, and the Construction Industry. Ithaca, N.Y., ILR Press/Cornell University Press, 2010.
On June 3, 1963, 200 protesters organized by the Newark Coordinating Committee (NCC) clashed with about 200 mostly white construction workers at the construction site for the new Barringer High School. The "protest represented the opening salvo in a prolonged struggle in which civil rights activists experimented with proto-Black Power strategies." Available?
Russell John Rickford. New York, Oxford University Press, 2016.
Examines the history of the Pan African nationalist private schools, including Baraka's Africa Free School, that appeared in the 1960s and 1970s. "Organizers of the schools saw formal education as a means of creating a vanguard of young activists devoted to the struggle for black political sovereignty throughout the world." Available?
Kinaya C. Sokoya interview with former Chad School administrator Babatu Y. Olubayo. The Chad School was an independent Black educational institution in Newark that was established and supported by the Black Youth Organization.
Whitney Strub, Black Camera 7(1), 2015, pp. 273-287. Rutgers-restricted access
"New-Ark and the Emergence of Pragmatic Nationalism"
Jeffy Gafio Watts. IN Amiri Baraka: The Politics and Art of a Black Intellectual. New York, New York University Press, 2001. Available?
Papa Doc Baraka: Fascism in Newark.
Costas Axios and Nikos Syvriotis. Including a special appendix: "Why the CIA Often Succeeds" by Hermyle Golthier. New York, National Caucus of Labor Committees, 1973.
Part of Lyndon LaRouche's National Caucus of Labor Committees' anti-Baraka campaign. The NCLC was convinced that Baraka was a CIA agent. Cover graphic. Available?
Amiri Baraka, From Black Arts to Black Radicalism.
The Black Power Movement, Part 1. Bethesda, MD, University Publications of America, 2000. 9 microfilm reels.
9 reels of Baraka materials from the collection of Dr. Komozi Woodard. Includes organizational records, print publications, articles, poems, plays, and speeches by Baraka, some personal correspondance, and oral histories spanning 1960 to 1988. A guide to the collection is available online.
Available at the Newark Public Library: N.J. Ref. 323.1196073 B617 pt. 1
James Edward Smethurst. Amherst, University of Massachusetts Press, 2020.
"The focus here...is considering how Baraka’s writing on and actual performance with music proposes an influential model of the creation of an African American people or nation, and the growth and consolidation of a black working class within that nation with important ties with other working- class sectors outside the black nation." Rutgers-restricted Access
Yale University, Beinecke Rare Book and Manuscript Library. "This item consists of galleys to an unpublished work on the 1967 Newark riots by Amiri Baraka (1934-2014) to have been published by Howard University Press. It is the setting copy with printer's and editorial notes."
Video mingling an interview with Coyt Jones, the father of poet and activist Leroi Jones/Amiri Baraka, from the 1990s with an interview with his grandson, Ras Baraka, the current mayor of Newark. Jones came to Newark from South Carolina in 1927. From The Newest Americans a project of the Rutgers University-Newark Department of Arts, Culture and Media.
Finding aid to the archival collection (219.5 linear feet) at Columbia University. The Amiri Barka Papers contains correspondence, writings, and the personal, political activism and teaching materials related to Amiri Baraka's career as a poet, writer, editor, activist, and teacher in the New York City Beat, Downtown, and Black Arts literary scenes from the 1960s through the 2000s. Included are manuscripts from Baraka's numerous books of poetry, non-fiction, fiction, plays, editorial work, and screenplays. The collection also features organizational and documentary materials relating to Baraka's university teaching and Newark, NJ-based black radical activism, as well as audio/visual material, photographs, and printed material collected and created by Baraka.
Howard University Collection (87.5 Cubic feet). The Amiri Baraka papers spans 1951-1988 and contains biographical information, writings by Baraka (including an original manuscript of The Autobiography of Leroi Jones and poems), journals, articles, clippings, books, memorabilia and research files.
Newark Public Library collection. The collection (1 box) consists of 2 folders of photocopies of articles and clippings relating to Amiri Baraka (1964-1984), "A Checklist to Primary and Secondary Sources Related to Amiri Baraka" (1971), and 18 folders of printed material. The printed material consists largely of writings of Baraka published by the Newark-based Jihad Productions and other publishers, and material by others published by Jihad Productions.
Schomburg Center collection. Collection includes more than thirty plays and screenplays including such early works as "The Toilet" (1964) in addition to "Jello," "Slave Ship," and "S-1." Some of the scripts have been produced and published, but the collection also includes a number of un-produced and unpublished works. The collection consists of holographs scripts, some with the author's annotations and changes; typescripts; rehearsal scripts, some with changes; production files; and a photocopy of a galley.
Black Power Press
The Dana Library has the following:
Published by: Black People of Newark
Vol.1 No.4 (1969) NEWARK HX92 .N6B53
Black New ark
Published by: Committee for Unified Newark
Vol. 1 No. 5 (April 1972) - Vol. 2 No. 14 (Dec. 1973) [Incomplete] NEWARK HX92 .N6B53
Unity and Struggle
Published by: Committee for Unified Newark
Vol. 3 No. 1 (Jan/Feb. 1974) - Vol. 8 No. 1/2 (Feb. 1979) [Incomplete] NEWARK HX92 .N6B53